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-1899 -
Title
The Wyndham Sisters
1899
Natasha
The Metropolitan Museum of Art, NY
Oil on canvas
292.1 x 213.7 cm (115 x 84 1/8 in.)


Portrait of the Hon Charles Alfred Lister
1899
Private collection
Pencil
11 x 8  in. 


Mrs. Joshua Montgomery Sears
(Sarah Choate Sears)
1899
Natasha
Museum of Fine Arts, Houston, Texas
Oil on canvas
147.6 x 96.8 cm  (58 1/8 x 38 1/8 in.)
Museum purchase with funds provided by George R. Brown in honor of his wife, Alice Pratt Brown


Edward Augustus Silsbee
c. 1899
Bodleian Library, Oxford
Charcoal
25 x 18 in approx


Portrait of Léon Delafosse
c. 1899 
Natasha
The Seattle Art Museun, Washington
Oil on canvas
101.6 x 60.2 cm (40 x 23 11/16 in.)
Inscribed across top: à M. Léon Delafosse souvenir amical; John S Sargent  [to M. Léon Delafosse to remember friendly]






Hon. Victoria Stanley
1899
Private collection
Oil on canvas 
196.9 x 105.4 cm (77 1/2 x 41 1/2 in) 


Miss Carey Thomas
1899
Natasha
Bryn Mawr College, Pennsylvania 
Oil on canvas 
Size?


Crucifixion (relief)
c 1899
Natasha Essay
Tate Gallery, London
relief
111.8 x 78.7 x 8.9 cm
Presented by A.G. Ross in accordance with the wishes of the late Robert Ross through the National Art Collections Fund 


Gondolas on the Water
1899
Private collection
Oil on panel
Size?
 
1899                        (43 years old)
Year In Context

On February 13th, works on The Wyndham Sisters at their house in Belgrave Square, London.

February 20 thru March: he holds his second one-man show at the Copley Hall, Boston (Boston Art Students' Association) 110 works -- fifty-three oils, sixty drawings, and forty-one sketches.

April: he's put on the "Hanging Committee" of the Royal Academy which is considered the most prestigious and important committee. 

Having some difficulty with moldings, he travels to Paris and talks to Augustus Saint-Gaudens about casting the Crucifix in Dogma of Redemption for the Boston murals.

His death is erroneously reported in American newspapers. He sends a telegram to Mrs. Isabella Stewart Gardner: "Alive and kicking, Sargent."

December: he takes back Professor Johannes Wolff (1897) as his diploma painting to the Royal Academy and submits An Interior in Venice (1898) in its place. JSS had painted it for Mrs. Curtis but she disliked it. She felt she had been portrayed too old and her son as being disrespectful in his stance.

 




 
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By:  Natasha Wallace
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