John Singer Sargent's General  Officers of the Great War  (Frontpage)  (What's New)  (Thumbnail Index)  (Refer This Site)
 
 

1 Baron Bidwood 2 Smuts 3 Louis Botha 4 Vicount Byng 5 Baron Rawlinson 6 Lukin 7 Monash 8 Baron Horne 9 Milne 10 Wilson 11 Russell 12 Plumer 13 Cowens 14 Haig 15 French 16 Robertson 17 Maude 19 Allenby 19 Marshall 20 Currie 21 Lambart 22 Dobell  
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General  Officers of the Great War
John Singer Sargent -- American painter 
1922
National Portrait Gallery
Oil on canvas
299.7  x  528.3 cm (118 in. x 208 in.)
 Jpg: local 

 
 
 
William Riddell Birdwood, 1st Baron Birdwood (1865-1951), Field Marshal 
2 Jan Christian Smuts (1870-1950), Field Marshal and South Arfican Statesman 
3 Louis Botha (1862–1919), South African Statemen and Soldier
4 Julian Byng, 1st Viscount Byng of Vim (1862-1935), British general
5 Henry Seymour Rawlinson, 1st Baron Rawlinson of Trent (1864-1925), General and Commander-in-Chief of Army in India
6 Sir Henry Timson Lukin (1860-1925), Major-General
7 Sir John Monash (1865-1931), Australian general
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  •  
     
    Henry Sinclair Horne, Baron Horne (1861-1929), General
    9 George Francis Milne, 1st Baron Milne (1866-1948), Field Marshal 
    10 Sir Henry Hughes Wilson, Bt (1864-1922), Field Marshal
    11 Sir Andrew Hamilton Russell (1868-1960), Major-General
    12 Herbert Plumer, 1st Viscount Plumer (1857-1932), Field Marshal
    13 Sir John Steven Cowans (1862-1921), General
    14 Douglas Haig, 1st Earl Haig (1861-1928), Field Marshal
    15 John French, 1st Earl of Ypres (1852-1925), Field Marshal
      
     
    16  Sir William Robert Robertson, 1st Bt (1860-1933), Field Marshal
    17 Sir Frederick Stanley Maude (1864-1917), Lieutenant-General 
    18 Edmund Henry Hynman Allenby, 1st Viscount Allenby (1861-1936), Field Marshal
    19 Sir William Marshall (1865-1939), Lieutenant-General
    20 Sir Arthur William Currie (1875-1933), Canadian general
    21 Frederick Lambart, 10th Earl of Cavan (1865-1946), Field Marshal
    22 Sir Charles Macpherson Dobell (1869-1954), General
      
         
      
     
    Title 
     

    1
     
    William Riddell Birdwood, 1st Baron Birdwood (1865-1951), Field Marshal 
    William Riddell Birdwood, 1st Baron Birdwood, 
    (1865-1951), Field-Marshal 
    c. 1922 
    National Portrait Gallery, London 
    Medium: chalk 
    23 1/4 in. x 19 in. (591 mm x 483 mm) 

    (Thumbnail is full size image) 


    During WW1 he was a General Officer Commanding Australian and New Zealand Army Corps, World War I 1914-1918; Commander-in-Chief Mediterranean Expeditionary Force and Commander, Dardanelles Army, Gallipoli 1915-1916; General Officer Commanding Australian Imperial Force 1915-1918; France 1916-1918; Commander, 5 Army, France 1918-1919 

    Service biography 
    Commissioned 4 Bn Royal Scots Fusiliers 1883; 12 Lancers 1885; 11 Bengal Lancers 1887; Hazara Campaign 1891; Isazai 1892; Adjutant, Viceroy's Bodyguard, India 1893; North West Frontier, India and Tirah campaign 1897-1898; South African War 1899-1902; Deputy Assistant Adjutant General, South Africa 1900; Military Secretary to Commander-in-Chief (Gen Horatio Herbert Kitchener, 1st Viscount Kitchener of Khartoum), South Africa 1902; Assistant Military Secretary and interpreter to Commander-in-Chief, India 1902; Assistant Adjutant General, Headquarters India 1904; Military Secretary to Commander-in-Chief (Gen Horatio Herbert Kitchener, 1st Vicount Kitchener of Khartoum), India 1905; Mohmand expedition 1908; Bde Commander, Kohat Bde, North West Frontier, India 1909; Quartermaster General, India 1912; Secretary to Government of India, Army Department and Member of the Governor General's Legislative Council 1912-1914; General Officer Commanding Australian and New Zealand Army Corps, World War I 1914-1918; Commander-in-Chief Mediterranean Expeditionary Force and Commander, Dardanelles Army, Gallipoli 1915-1916; General Officer Commanding Australian Imperial Force 1915-1918; France 1916-1918; Commander, 5 Army, France 1918-1919; General Officer Commanding-in-Chief Northern Army, India 1920-1924; Commander-in-Chief, India 1925-1930; Member of the Executive Council of the Governor Gen and of the Council of State of India 1925 
    (King's College London)


    William Riddell Birdwood, 1st Baron Birdwood 
    (1865-1951), Field-Marshal. 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)


      

    2
     
    Jan Christian Smuts (1870-1950), Field Marshal and South Arfican Statesman 
    Jan Christian Smuts 
    C. 1919-1922 (Statesman and Field Marshal) 
    Oil on canvas 
    31 3/4 in. x 25 3/4 in. (806 mm x 654 mm) 
      During World War I Smuts commanded British imperial forces in East Africa (1916-17), represented South Africa in Britain's Imperial War Cabinet (1917-18), and helped plan the organization of the League of Nations. Was prime minister of South Africa (1919-24)  
    (encarta.msn.com) 

     

    3
     
    Louis Botha (1862–1919), South African Statemen and Soldier
    Louis Botha 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    South African Statesman 

    (Thumbnail is full size image)


    A Boer (Afrikaner), he participated in the founding (1884) of the New Republic, which joined (1888) the Transvaal. With little  military experience, he brilliantly commanded Boer troops against British in the Boer War of South Africa. After the war, however, he favored reconciliation with the British and was instramental in getting South African troops on the side of Britian at the Start of WW1

     

    4
     
    Julian Byng, 1st Viscount Byng of Vim (1862-1935), British general.
    Julian Byng, 1st Viscount Byng of Vimy 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image) 

    (See Philip Alexius de Laszlo drawing and painting)


    He served in India and South Africa and had several commands in World War I. In Apr., 1917, Canadian troops under his command took Vimy Ridge, in N France. For his distinguished services he was made a baron and, in 1926, a viscount. He was governor-general of Canada from 1921 to 1926. 

     

    5
     
    Henry Seymour Rawlinson, 1st Baron Rawlinson of Trent (1864-1925), General and Commander-in-Chief of Army in India.
    Henry Seymour Rawlinson, 1st Baron Rawlinson of Trent 
    c. 1922 
    National Portrait Gallery, London 
    Medium: oil on canvas 
    22 in. x 16 in. (55.9 x 40.6 cm) 

    (Thumbnail is full size image)


    1864–1925, British general. In World War I he commanded (1914–15) the IV Corps and became (1916) lieutenant general in command of the British 4th Army. In 1918 he was a member of the Supreme War Council at Versailles, and later, returning to his previous command, he achieved notable success in piercing the German line in a breakthrough between St. Quentin and Cambrai (Aug.–Nov., 1918).  

    Son of Sir Henry Creswicke Rawlinson. He served in the Myanmar expedition of 1886–87, in the Sudan campaign (1898), and in the South African War (1899–1902). After the war, he was raised to the peerage in 1919 and commanded the British forces in India from 1920 until his death. Under him high army posts were assigned to Indians for the first time, and the northwest frontier was pacified. 
    (Columbia Encyclopedia, Sixth Edition)


    Henry Seymour Rawlinson, Baron Rawlinson 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)


    Henry Seymour Rawlinson, Baron Rawlinson 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)


    Henry Seymour Rawlinson, Baron Rawlinson 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)


      

    6
     
    Sir Henry Timson Lukin (1860-1925), Major-General

    Sir Henry Timson Lukin (1860-1925) served with South African forces during the First World War, leading his country's brigade at Delville Wood in 1916 wherein during Sir Douglas Haig's wide Somme Offensive of 15 July 1916, of the 433 men under his command at Delville only 143 emerged five days later.. 

    Lukin gained wide popularity with his troops, recognising as they did his very real concern for their welfare under difficult circumstances.  He was also perfectly willing to share their front-line dangers, despite having been gassed. 

    Promotion arrived in December 1916 in the form of command of the 9th (Scottish) Division, considered one of the best Allied divisions serving in France.  He consequently saw action at both Arras and during the Third Battle of Ypres.  He was however superseded in March 1918. 
    (FirstWorldWar.com)


      

    7
     
    Sir John Monash (1865-1931), Australian general

    Sent with the 4th Brigade (1,000 men) to Gallipoli in 1915 where he made a name for himself for his independent decisions in a bungled campaign. But even he could not save his brigade from the futile August/September offensives against the Turks in that year.  

    By June 1916 he was in France, with the rank of major-general and in charge of the new 3rd Division which he trained mercilessly. Once again he used raiding techniques frowned on by the British High Command, but they were impressed by his detail and precision in a war that was going very badly. By 1917 he was made corps commander. He trained his troops to a high degree of efficiency and coordinated the use of infantry, air-power, artillery and tanks.  

    It was at the Battle of Hamel Hill on 4-July-1918 that his tactics won a well needed victory for the Allies. On 12-Aug-1918, Monash was knighted on the field by King George V. Thereafter the A.I.F. smashed its way through France, used as shock troops in an amazing series of victories against the Germans - at Chignes, Mont St Quentin, Peronne and Hargicourt and breaking the Hindenburg Line.  
    (www.worldwar1.com) 
     


      

    8
     
    Henry Sinclair Horne, Baron Horne (1861-1929), General
    Henry Sinclair Horne, Baron Horne 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)


    Commanded the British First Army from September 1916 until the end of the First World War. 

    In June of 1916 Horne was given charge of XV Corps in January 1916. It played a prominent (and initially highly successful) role in the Battle of the Somme in July 1916, where his innovative approach to the 'creeping barrage' won him many plaudits (although XV Corps also played a role in the disastrous attempt on High Wood). 

    Horne demonstrated an ongoing enthusiasm for the development of technical and tactical improvements within artillery.  Knighted in 1916 his next appointment brought him an army level command - First Army in September 1916 - which he retained until the armistice.  Horne was the sole artillery officer of the war to be given command of a British field army. 
    (www.firstworldwar.com) 
     


      

    9
     
    George Francis Milne, 1st Baron Milne (1866-1948), Field Marshal 

      

    10
     
    Sir Henry Hughes Wilson, Bt (1864-1922), Field Marshal
    Sir Henry Hughes Wilson, Bt 
    (1864-1922), Field-Marshal 
    c. 1922 
    National Portrait Gallery, London 
    Medium: oil on canvas 
    21 1/2 in. x 15 1/2 in. (546 mm x 394 mm) 

    (Thumbnail is full size image)



    Sir Henry Hughes Wilson, Bt 
    (1864-1922), Field-Marshal 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)


      

    11
     
    Sir Andrew Hamilton Russell (1868-1960), Major-General



      

    12
     
    Herbert Plumer, 1st Viscount Plumer (1857-1932), Field Marshal



      

    13
     
    Sir John Steven Cowans (1862-1921), General
    Sketch for General Cowans 
    1920 
    Adelson Galleries 
    Oil on canvas 
    16 3/4 x 20 3/4 in.



      

    14
     
    Douglas Haig, 1st Earl Haig (1861-1928), Field Marshal
    Douglas Haig, 1st Earl Haig 
    1922 
    National Gallery of Scotland, Edinburgh
    Oil on canvas
    56 x 41 cm

    Purchased 1925, Accession no.PG 1010

    The most controversial of the war generals 

    Served under Sir John French during the Bore War. By the close of 1915 it was clear that French (his superior) was ill-suited to the nature of the campaign, and Haig was appointed the new Commander in Chief of the BEF on 10 December 1915. 

    Much of the nature of the fighting taking place in the First World War was alien to Haig, a cavalry man through and through.  He did not rate very highly the war's new weaponry.  "The machine gun is a much over rated weapon," he said in 1915; he made similar remarks over the use of the tank. 

    The Somme offensive with which Haig's name is most often associated (along with Third Ypres, also known as Passchendaele), began on 1 July 1916.  Haig was pressured to bring forward the original attack date from August so as to relieve the heavy casualties experienced by the French at Verdun, which the Germans had been bombarding since early in the year. 

    It was thought that by committing significant British forces on the Somme, the Germans would necessarily divert troops from Verdun, thereby taking the sting out of the offensive. 

    The first day of the Battle of the Somme saw the British Army suffer the highest number of casualties in its history: 60,000.  [see Sir Henry Timson Lukin] Whether the attack was a success or not remains an area of controversy: however most historians agree that the cost in human terms was too high for relatively little gain.  In any event the offensive was called off by Haig on 18 November 1916, technically a British victory.

    1917 saw the campaign at Third Ypres from July to November - Passchendaele - which ultimately ground down German resistance, although at heavy cost in British manpower. 

    In 1918 Haig oversaw the successful British advances on the Western Front which led to victory for the Allies in November. 
    (FirstWorldWar.com)

    After the war, Haig was reponsible for uniting ex-servicemen in the Royal British Legion.


    Douglas Haig, 1st Earl Haig 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (35.6 x 21.9 cm) 

    (Thumbnail is full size image)


      

    15
     
    John French, 1st Earl of Ypres (1852-1925), Field Marshal
    John French, 1st Earl of Ypres 
    c. 1922 
    National Portrait Gallery, London 
    Medium: oil on canvas 
    21 1/2 in. x 15 1/2 in. (546 mm x 394 mm) 

    (Thumbnail is full size image)


    After being appointed Chief of Staff of the British Army in 1911, French was given command of the British Expeditionary Force (BEF) which was deployed to Europe in the opening days of the war, August 1914. 

    French was temperamentally unsuited to command of the BEF, becoming so depressed at the prospects of success following the Mons campaign that his chief concern came to be the safe welfare of his troops, to the cost of his French allies.  It required an emergency visit from Kitchener, the Secretary of War, in September 1914 to stiffen French's resolve. 

    Once the war of manoeuvre ended French's mood switched to one of over-optimism, until by Autumn 1915 he was once again reluctant to co-operate with the French and had to be urged into action. 

    In the campaigning which followed, his incapability again became evident, coupled with poor judgement, which compelled his replacement in December 1915 by his then deputy, Douglas Haig. 

    Relieved of his command French served as Commander of the British Home Forces from 1915-18  
    (www.firstworldwar.com)   


    John French, 1st Earl of Ypres 
    (1852-1925), Field-Marshal. 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)

      

    16
     
    Sir William Robert Robertson, 1st Bt (1860-1933), Field Marshal



      

    17
     
    Sir Frederick Stanley Maude (1864-1917), Lieutenant-General 



      

    18
     
    Edmund Henry Hynman Allenby, 1st Viscount Allenby (1861-1936), Field Marshal
    Edmund Allenby, 1st Viscount Allenby 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)



    Edmund Allenby, 1st Viscount Allenby 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)

      

    19
     
    Sir William Marshall (1865-1939), Lieutenant-General



      

    20
     
    Sir Arthur William Currie (1875-1933), Canadian general



      

    21
     
    Frederick Lambart, 10th Earl of Cavan (1865-1946), Field Marshal
    Frederick Lambart, 10th Earl of Cavan 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)


    Was brought back from retirement in 1914 and rose to become one of the British Army's more successful commanders during the First World War. 

    January, 1916, Cavan was placed at the head of XIV Corps, a command he held until March 1918, during which time he established a deserved reputation as perhaps the best corps commander on the Western Front. 

    It was with XIV Corps that Cavan was despatched to the Italian Front in the wake of the Caporetto fiasco in November 1917.  The following March Cavan was formally appointed Commander-in-Chief of British forces on the Italian Front. 

    It was in this capacity that Cavan led the Italian Tenth Army which struck a decisive bow at the Battle of Vittorio Veneto, the action which sounded the final death blow of the Austro-Hungarian army towards the close of the war. 
    (www.firstworldwar.com) 
     

    Frederick Lambart, 10th Earl of Cavan 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)



      

    22
     
    Sir Charles Macpherson Dobell (1869-1954), General
    Sir Charles Macpherson Dobell
    1919
    Private collection
    Oil on canvas
    22 x 16 in. (55.8 x 40.6 cm.)

    signed 'John S Sargent' (upper centre) and dated '1919' (upper right)

    Sir Charles Macpherson Dobell (1869-1954), The Royal Welch Fusileers, served in field command positions in Africa and Palestine during World War One, and he was knighted and promoted to Lieutenant-General following his endeavours as commander of an Anglo-French force tasked with the capture of Cameroon. He was mentioned in dispatches nine times.
    (Christies)
    Sir Charles Macpherson Dobell 
    (1869-1954), General 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 1/2 in. (356 mm x 216 mm) 

    (Thumbnail is full size image)



    Sir Charles Macpherson Dobell 
    (1869-1954), General 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)



    Unknown sitter 
    c. 1922 
    National Portrait Gallery, London 
    Medium: pencil 
    14 in. x 8 5/8 in. (356 mm x 219 mm) 

    (Thumbnail is full size image)

     
    General  Officers of the Great War 

    The large group portrait was difficult for Sargent. It was part of the commission given by the Ministry of Information (which to me sort of sounds like an Orwelian 1984 title). They had  hired Sargent and Henry Tonks and others do do paintings of the war with Sargent's Gassed being the central piece. This painting had been part of a deal he had agreed to which was sort of thrust upon him -- and he seemed to hated every minute of it. 

    The war had been over now for while and he had put off the portrait as long as he could. Once he got into it, he found it as dreadful and uninspiring as he had anticipated.  He did studies of each individual, and then often a formal oil portrait study of the head.  

    Once he started the final portrait he did the bodies first and then painted the heads. Although the image of the finished oil here does not show it well, the end result is about as uninspired as Sargent felt. It looks  like what it really is -- a group of individual portraits artificially stuck together on the same canvas. It is as if he had forgotten everything he had learned from Frans Hals some forty years previous. 

    This had never been Sargent's strong suit. He was a modern painter in the sense that he painted what he saw and was not good at contrived settings, with the possible exception of the Library Murals, and the other Boston decorations he did -- but then one could easily argue that these suffer from the same sort of weakness. 

    From: National Portrait Gallery 

    Sargent, who initially declined the commission, began work on the military group portrait on his return from America in August 1920. He found the commission particularly difficult, writing to Sir James Guthrie (who was working on the politicians portrait) in September of that year: 'But I am still merely collecting material and have not yet evolved any scheme of the picture as a whole. I am handicapped by the idea that they never could have been altogether in any sort of interesting background and reduced to painting them all standing up in a vacuum'. Certainly, this painting does not have the characteristic brilliance of Sargent's other work and was described by a former director of the National Portrait Gallery as 'Still Life with Boots'. 
     
     

    Notes: 

     
     
     
     
     
     
     
     
     
     
     
     


     
     

    By:  Natasha Wallace
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